Monday, April 13, 2009
DW 4a
Sunday, March 29, 2009
Annotated bibliography
Ball, Arnetha. "Expository Writing Patterns of African American Students." The English Journal 85.1 (1996): 27-36.
This article discusses various patterns in speech and writing unique to African American students. Ball argues that certain African discursive patterns, often identified as lacking academic language and criteria, actually reflect various requirements necessary for academic writing. Although these language patterns are often viewed as non-standard, they do take into account skills such as literary analysis and use of personal experience as evidence. Ball concludes that students can effectively draw on African and AfricanAmerican-based linguistic and rhetorical patterns and still meet the requirements for their expository writing assignments at the same time.
Gilyard, Keith, and Elaine Richardson. "Students' Right to Possibility: Basic Writing and African American Rhetoric." Insurrections: Approaches to Resistance in Composition Studies. Ed. Andrea Greenbaum. Albany: SUNY UP, 2001.
In their essay, Keith Gilyard and Elaine Richardson, “Students’ Right to Possibility: Basic Writing and African American Rhetoric,” apply SRTOL to composition classroom practices. They argue that SRTOL is still controversial because many teachers still believe that they should be “preparing so-called minority students for success in the market place, all while many of the most successful people in the market place are running off with fresh stacks of pretty little green ones accumulated to the advertising beat of hip hop” (38). Gilyard and Richardson describe and analyze their own study on fifty-two African American students who enrolled in an Afrocentric basic writing course. Researchers were looking specifically at rhetorical and modes of Africanized discoursed used in the student essays. For each student enrolled, a panel of writing specialists (from varied racial/ethnic backgrounds) scored their out of class essays. Like Smitherman’s 1994 study on NAEP high school students, the researchers found that “African American students who used more Black discourse scored higher than those students who did not” (45). Hence, Gilyard and Richardson conclude that African American rhetoric and discourse can serve as an opportunity for applying SRTOL to classroom practices.
Hollie, Sharroky. “Acknowledging the Language of African American Students: Instructional Strategies.” The English Journal 90.4 (2000): 54-59.
Hollie discusses how the Linguistic Affirmation Program (a comprehensive non-standard language awareness program designed to serve the language needs of African Americans, Mexican Americans, Hawaiian Americans, and Native American students who are not proficient in Standard English) is an effective program to teach Standard English without devaluing the languages students bring from home. The article also discusses six key instructional approaches to teaching Standard English to students whose first language is another language.
Juzwik et al. “Writing Into the 21st Century: An Overview of Research on Writing, 1999 – 2004.” Written Communications 23.4 (2006): 451-476.
In their article, “Writing Into the 21st Century: An Overview of Research on Writing, 1999 to 2004,” Juzwik et al. found that “[c]ontext and writing practices; multilingualism, bilingualism, and writing; and writing instruction are the most actively studied problems in contemporary writing research” (464). What is unclear in their study, however, is the proportion of those research studies that actually employ teacher-research as the primary methodology. From Juzwik et al.’s study, categories such as writing instruction and multilingualism/bidialectalism become very large categories that may account for a wide range of methodologies (including but not limited to teacher-research), contexts, and settings. Of the research categories studied between 1999 and 2004, how many studies were teacher-research? How might these categories have changed in the last five years, where we have seen a decline and teacher-research empirical work published in journals associated with composition studies?
Sunday, March 22, 2009
DW 3a
Sunday, February 22, 2009
DW 2b
Additionally, based on previous idea, we could explore more specific example of how AAVE's features appropriate in website. Likewise, Banks stated in his book that "Given the fact that most attention paid to African American language and discourse in Composition has focused around AAVE or Ebonics-the grammatical, phonological, and semantic features of African American English" but "what's fascinating about BlackPlanet, for me, is the degree to which users have written an oral tradition into cyberspace". This is the same idea for me to explore and comprehend "Hip Hop Vs America". In fact, there are really very few direct grammatical feature of AAVE in this space. Instead, many sentences contain the features which Bank mentioned in his book-"tonal semantics" and "sermonic tone". "Tonal semantics" refers to the ways that intonation in a word or a phrase,different spelling of a word and typographic features can change initial meaning . For example, in "Hip Hop Vs America" sentences such as "barack obama did it so why not u do it right. WRONG u had to pick this nigg", "no entiendo naaaada jajajaj", and "Plies is Soo Fine!!! then its T.I.!!!!!!! plies is my baby".(Because I have never encountered Ebonics before, I could not explain these sentences' meaning to you). Moreover, "sermonic tone" refers to the ways in which plain statement are given a "gravity"-the speaker's emotion or "can be like a hyperbolic parable or fable, but without any story to illustrate its moral". For instance, a paragraph in "Hip Hop Vs America":
"AMEN!!! I agree with everything Vinne said except the reference to the Jay-Z and Beyonce. People need more tangible models-people they can, not only see, but touch, converse with, and hear CLOSE UP. That is more realistic. We need to stop living our dreams through Hollywood images. Jaze-Z and Beyonce are Hollywood illusion. Nothing against them as people of performers, but not everyone will reach the Carter-knowles celebrity and financial status. The obsessive longing for these lavish riches is what has destroyed us as a people. The people, our people need the "everyday brother and sister to be our best example model."
In this excerpt, the speaker initially want to identifies himself as someone share the interests with the poster in political issues about the step up of African American people. However, through his whole comments, he becomes an exhorter, attempting to foster a different kind of conversation in order to persuade people to choose their example model wisely. His voice takes on the sermonic tone, with the interesting adjustment for opinion. His particular voice in this paragraph is a hybrid of formal and informal register: the best example of this is the sentence:" People need more tangible models-people they can, not only see, but touch, converse with, and hear CLOSE UP."
Sunday, February 15, 2009
Developing Work 2a
Sunday, February 1, 2009
Developing Work 1b
Tuesday, January 27, 2009
Developing Work 1a
- "h" in "sheng" ,"he" and "zhang" is a very important symbol to indicate that you should have a cacuminal pronunciation there.
- "ing" in "qing" , "ong" in "xiong" and "eng" in "feng"is a another important symbol to tell you to have a nasal pronunciation here.
- SC: He is going to buy some food in few minutes later HD: He go to buy some food.
- SC: We were organising an football team month ago. HD: We organise an football team.
Moreover, the meaning of words sometimes are really different between SC and my hometown dialect because one word may have different meaning in different language situation, and which has a funny effect of our daily expression. In my hometown, you may see a sentence like that:
- He is a glass.
- This event is braised.
- The boy and the girl are really cooked well.
It is ridiculous when analysing those sentence with SC, but in my hometown dialect it has a obvious meaning. Let me explain, the "glass" do not refer to the solid that we use for window. Instead, it means homosexual. The "braised" is also interpreted into "real" and "cooked well" means " familiar with each other".
Thus, we can find how magic the language is. And there are still a lot of things wait for us to dig.